Phenomenology of the Gameworld: A Philosophical Toolbox for Video Game Developers PDF Download

Author: Matthew E. Gladden
Publisher: Defragmenter Media
ISBN: 1944373748
Category : Computers
Languages : en
Pages : 362

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Book Description
The human mind is the most powerful game engine – but it can always use some help. This book is meant for developers who want to create games that will evoke richer and more memorable “gameworlds” in the minds of their players. We don’t just enter such unforgettable gameworlds when we play first-person 3D RPGs with high-resolution graphics; even relatively simple 2D puzzle or strategy games with 8-bit-style visuals can immerse players in worlds that are beautiful, terrifying, mysterious, or moving, that are brutally realistic or delightfully whimsical. Indeed, good video games can transport us to incredible new worlds. The process by which a particular gameworld emerges is a symbiotic collaboration between developer and player: the game system presents a carefully architected stream of polygons and pixels, which somehow leads the player’s mind to construct and explore an intricate world full of places, people, relationships, dilemmas, and quests that transcends what’s actually appearing onscreen. Drawing on insights from ontology and philosophical aesthetics, this volume provides you with conceptual frameworks and concrete tools that will enhance your ability to design games whose iconic gameworlds encourage the types of gameplay experiences you want to offer your players. Among other topics, the book investigates: · The unusual ways in which a gameworld’s contents can “shrink” or “grow” in players’ minds, depending on whether the players are mentally positioned within a game’s social space, cultural space, built space, or tactical space. · The manner in which players’ minds spontaneously “concretize” the countless gaps that exist in a game – and how this dynamic explains why so many players still enjoy 8-bit-style games with retro pixel art. · The differing ways in which players experience success and failure, danger and safety, good and evil, the future and the past, the known and the unknown, and engagement and retreat, depending on whether a game reveals its gameworld through a “1D” game environment (like that of a text-based adventure), 2D environment (like that of a sidescroller or a grand strategy game with a top-down map view), 2.5D environment (like that of an isometric turn-based tactics game) or 3D environment (like that of a first-person shooter). · The powerful way in which players are able to mentally “explore” a gameworld simply by shifting their conscious awareness between different senses, media, ontological strata, and constituent spaces – without needing to travel through the gameworld’s terrain at all. · Necessary and optional elements of the gameworld – from built areas, natural landscapes, laws of nature, and a cosmogony to the game’s player and designer – and their roles in shaping the gameplay experience. · How to strategically employ the architectural paradigms of the Cyberspatial Grid, Maze Space, Biomimetic Net, Simulacral World, Virtual Museum, and Protean World when architecting locales within your game, in order to evoke particular kinds of emotional gameplay experiences for your players. · The nature of the unique “sixth sense” that 2D games grant to player characters (and players). · Simple techniques for helping your 2D game to “feel” more like a 3D game. · The differing kinds of immersiveness, interactivity, and determinacy possessed by different types of games and their implications for the gameplay experience. Once you’ve undertaken this philosophical and artistic journey, you’ll never look at your games – or their gameworlds – in quite the same way again. Phenomenology of the Gameworld is a book by the award-winning video game designer, philosopher, and writer Matthew E. Gladden. He has over 20 years of experience with commercial and non-commercial game development, has published numerous scholarly and popular works relating to the philosophy of video game design, virtual reality, and neurocybernetics, and has served as a video game conference keynote speaker.

Author: Eddie Lohmeyer
Publisher: Bloomsbury Publishing USA
ISBN: 1501364898
Category : Social Science
Languages : en
Pages : 216

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Book Description
Throughout the 1990s, artists experimented with game engine technologies to disrupt our habitual relationships to video games. They hacked, glitched, and dismantled popular first-person shooters such as Doom (1993) and Quake (1996) to engage players in new kinds of embodied activity. In Unstable Aesthetics: Game Engines and the Strangeness of Art Modding, Eddie Lohmeyer investigates historical episodes of art modding practices-the alteration of a game system's existing code or hardware to generate abstract spaces-situated around a recent archaeology of the game engine: software for rendering two and three-dimensional gameworlds. The contemporary artists highlighted throughout this book-Cory Arcangel, JODI, Julian Oliver, Krista Hoefle, and Brent Watanabe, among others –- were attracted to the architectures of engines because they allowed them to explore vital relationships among abstraction, technology, and the body. Artists employed a range of modding techniques-hacking the ROM chips on Nintendo cartridges to produce experimental video, deconstructing source code to generate psychedelic glitch patterns, and collaging together surreal gameworlds-to intentionally dissect the engine's operations and unveil illusions of movement within algorithmic spaces. Through key moments in game engine history, Lohmeyer formulates a rich phenomenology of video games by focusing on the liminal spaces of interaction among system and body, or rather the strangeness of art modding.

Author: Matthew E. Gladden
Publisher: Mnemoclave
ISBN: 1944373837
Category : Fiction
Languages : en
Pages : 62

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Book Description
Imagining a different world This book offers an introduction to the Utopian Confederation RPG series and the peaceful, prosperous, and high-tech future society that provides the setting for its adventures. In this world, the island-republic of Utopia isn’t an imaginary land; it’s a diplomatic, economic, technological, and cultural trailblazer that has succeeded in unifying the world’s nations under a banner of peaceful collaboration – thanks largely to the Utopian mindset that combines a strong rationality and pursuit of scientific knowledge with a social and political philosophy that’s grounded in a deep spirituality and theological sensitivity. Will we find the answer around other stars? By the 2130s, the Utopian Confederation – and its technologically posthumanized society of human, animal, and artificially intelligent beings – has deftly mended and revitalized the earth and established new footholds throughout our solar system, on bodies including the moon, Mars, several asteroids, Callisto, Europa, Titan, and a number of orbital spacebases. No signs of life have yet been detected from from other worlds; contact with even a single alien civilization would be an epochal event that would rewrite our understanding of the universe. And advances in slower-than-light propulsion have finally brought within reach the dream of undertaking our first journeys to the nearest star systems. The recent perfection of the subluminal nuclear pulse (SNuP) drive by the Utopian Academy of Sciences has at last opened the door to the creation of true “starvessels” and made feasible the next step in our exploration of the cosmos: scientific missions to the extrasolar planets of Alpha Centauri, Barnard’s Star, Epsilon Eridani, Tau Ceti, and Wolf 1061. This endeavor is aimed at shedding light on the Fermi Paradox, which remains the most vexing scientific, technological, philosophical, and theological puzzle confronting humanity: why are we yet to discover any evidence of intelligent life “out there” in space, when all of the best scientific theories and evidence suggest that the galaxy should be teeming with advanced civilizations? Not just “utopian,” but “Utopian” Central to the game is the realm of Utopia. The remarkable history of the Utopian island-state – from its founding in ancient times up through the early 1500s – was described in detail in the eponymous volume published by Thomas More in 1516, which was based on the firsthand accounts of the traveller Raphael Hythloday, a former travelling companion of Amerigo Vespucci and one of the first modern Europeans to visit the island. Within the future gameworld of Utopian Confederation, Utopia is not a “nowhere” (as is suggested by the Greek roots of its name) but a concrete “someplace” that has played a critical role in shaping the course of events in our world – and beyond. The atmosphere of Utopian Confederation At its heart, Utopian Confederation is a game of better worlds. It is an intellectual, emotional, and spiritual exploration not only of the past worlds that might have been, if human beings had made wiser and more compassionate choices, but (more importantly) the future worlds that might yet be, if we manage not to continue destroying one another and our planet. It’s a fundamentally optimistic and hope-filled meditation on the mysteries of theodicy, metaphysics, science, and the depths of the human heart and mind. An gameworld with an “8-bit ethos” The world of Utopian Confederation also possesses a distinct aesthetic and philosophy: it’s lovingly wrapped in an “8-bit ethos” that inspired by classic video games that moves beyond the realm of graphic design to permeate all aspects of its gameplay experience and mechanics. This design philosophy not only lies at the heart not only of the Utopian Confederation computer games that are currently under development; it also serves as the foundation for a series of sourcebooks (to which this volume serves as a brief introduction) that will allow you to adapt the gameworld as a setting for tabletop RPG sessions or campaigns employing your favorite rule systems.

Author: Rodney H Jones
Publisher: Routledge
ISBN: 1134258127
Category : Language Arts & Disciplines
Languages : en
Pages : 240

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From emails relating to adoption over the Internet to discussions in the airline cockpit, the spoken or written texts we produce can have significant social consequences. The area of Mediated Discourse Analysis considers texts in their social and cultural contexts to explore the actions individuals take with texts - and the consequences of those actions. Discourse in Action: brings together leading scholars from around the world in the area of Mediated Discourse Analysis reveals ways in which its theory and methodology can be used in research into contemporary social situations explores real situations and draws on real data in each chapter shows how analysis of texts in their social contexts broadens our understanding of the real world. Taken together, the chapters provide a comprehensive overview to the field and present a range of current studies that address some of the most important questions facing students and researchers in linguistics, education, communication studies and other fields.

Author: Mark J. P. Wolf
Publisher: ABC-CLIO
ISBN: 1440870209
Category : Games & Activities
Languages : en
Pages : 1288

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Book Description
Now in its second edition, the Encyclopedia of Video Games: The Culture, Technology, and Art of Gaming is the definitive, go-to resource for anyone interested in the diverse and expanding video game industry. This three-volume encyclopedia covers all things video games, including the games themselves, the companies that make them, and the people who play them. Written by scholars who are exceptionally knowledgeable in the field of video game studies, it notes genres, institutions, important concepts, theoretical concerns, and more and is the most comprehensive encyclopedia of video games of its kind, covering video games throughout all periods of their existence and geographically around the world. This is the second edition of Encyclopedia of Video Games: The Culture, Technology, and Art of Gaming, originally published in 2012. All of the entries have been revised to accommodate changes in the industry, and an additional volume has been added to address the recent developments, advances, and changes that have occurred in this ever-evolving field. This set is a vital resource for scholars and video game aficionados alike. Explores games, people, events, and ideas that are influential in the industry, rather than simply discussing the history of video games Offers a detailed understanding of the variety of video games that have been created over the years Includes contributions from some of the most important scholars of video games Suggests areas of further exploration for students of video games

Author: Stefano Gualeni
Publisher: Springer Nature
ISBN: 3030384780
Category : Social Science
Languages : en
Pages : 123

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Book Description
This book explores what it means to exist in virtual worlds. Chiefly drawing on the philosophical traditions of existentialism, it articulates the idea that — by means of our technical equipment and coordinated practices — human beings disclose contexts or worlds in which they can perceive, feel, act, and think. More specifically, this book discusses how virtual worlds allow human beings to take new perspectives on their values and beliefs, and explore previously unexperienced ways of being. Virtual Existentialism will be useful for scholars working in the fields of philosophy, anthropology, media studies, and digital game studies.

Author: Oscar John Arellano Moralde
Publisher:
ISBN:
Category :
Languages : en
Pages : 304

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Book Description
How might we understand the medium of video games beyond the static structures of encoded processes and audiovisual signifiers, and better articulate the ways that games meaningfully intervene in the lived space and time of individual players? This dissertation assesses games from a media theory perspective and argues for examining the embodied aesthetics of gameplay to extend existing proceduralist approaches to games as media texts. Those embodied aesthetics are articulated through an existential media phenomenology of gameworlds, where the game's technical capacity to perceive the player's perception through the interface allows for a full intersubjective encounter between player and game, and where each subject feels and responds to the other via playing-in-the-world. Rather than being clearly ideologically defined from the outset, this gameplay encounter is protopolitical, wherein embodied gameplay experiences create a variety of starting points for intervening in the public sphere. The dissertation considers questions of perspective and power relations through these experiences. One ideological framework for this intervention is gamification, which imagines that gameplay experiences can be cleanly transposed into more productive value-generating modes of action; however, its limited conception of the "real world" and inability to resolve the indeterminacy of gameplay experience prevent the idealistic extremes of that project from reaching fruition. Gamification's most notable successes are better characterized as a form of player participation, a framework through which we can understand how player-subjects connect with each other through gameplay experiences in the discursive public sphere. Critical and enactive gameplay communities, although contested spaces for progressive and regressive forces, illustrate the possibilities for game experience to become public action. Ultimately, a phenomenological understanding of playing-in-the-world allows for analyzing the ways in which games rehearse, dramatize, and recontextualize our interactions with the range of technological interfaces that permeate everyday life. The dissertation closes by considering how the continuously-changing technical and social contexts of games culture call for methodologies attentive to how bodily experiences emerge within those spaces.

Author: Seth Giddings
Publisher: Bloomsbury Publishing USA
ISBN: 1623568021
Category : Social Science
Languages : en
Pages : 192

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Book Description
Game studies is a rapidly developing field across the world, with a growing number of dedicated courses addressing video games and digital play as significant phenomena in contemporary everyday life and media cultures. Seth Giddings looks to fill a gap by focusing on the relationship between the actual and virtual worlds of play in everyday life. He addresses both the continuities and differences between digital play and longer-established modes of play. The 'gameworlds' title indicates both the virtual world designed into the videogame and the wider environments in which play is manifested: social relationships between players; hardware and software; between the virtual worlds of the game and the media universes they extend (e.g. Pokémon, Harry Potter, Lego, Star Wars); and the gameworlds generated by children's imaginations and creativity (through talk and role-play, drawings and outdoor play). The gameworld raises questions about who, and what, is in play. Drawing on recent theoretical work in science and technology studies, games studies and new media studies, a key theme is the material and embodied character of these gameworlds and their components (players' bodies, computer hardware, toys, virtual physics, and the physical environment). Building on detailed small-scale ethnographic case studies, Gameworlds is the first book to explore the nature of play in the virtual worlds of video games and how this play relates to, and crosses over into, everyday play in the actual world.

Author: Miguel Sicart
Publisher: MIT Press
ISBN: 0262019787
Category : Games & Activities
Languages : en
Pages : 180

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Book Description
Today's blockbuster video games -- and their never-ending sequels, sagas, and reboots -- provide plenty of excitement in high-resolution but for the most part fail to engage a player's moral imagination. In Beyond Choices, Miguel Sicart calls for a new generation of video and computer games that are ethically relevant by design. In the 1970s, mainstream films -- including The Godfather, Apocalypse Now, Raging Bull, and Taxi Driver -- filled theaters but also treated their audiences as thinking beings. Why can't mainstream video games have the same moral and aesthetic impact? Sicart argues that it is time for games to claim their place in the cultural landscape as vehicles for ethical reflection. Sicart looks at games in many manifestations: toys, analog games, computer and video games, interactive fictions, commercial entertainments, and independent releases. Drawing on philosophy, design theory, literary studies, aesthetics, and interviews with game developers, Sicart provides a systematic account of how games can be designed to challenge and enrich our moral lives. After discussing such topics as definition of ethical gameplay and the structure of the game as a designed object, Sicart offers a theory of the design of ethical game play. He also analyzes the ethical aspects of game play in a number of current games, including Spec Ops: The Line, Beautiful Escape: Dungeoneer, Fallout New Vegas, and Anna Anthropy's Dys4Ia. Games are designed to evoke specific emotions; games that engage players ethically, Sicart argues, enable us to explore and express our values through play.

Author: Emir Bektic
Publisher: transcript Verlag
ISBN: 3839453291
Category : Social Science
Languages : en
Pages : 296

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Book Description
Videogames allow us to immerse ourselves in worlds that are reflective of cultural phenomena. At the same time, games are in the process of occupying and utilising the real world as a part of the game. The book provides a combination of theoretical and practical approaches to mixed reality through the lenses of game studies and pedagogy. These novel approaches invite the reader to rethink their conceptions of games and mixed reality. They are complemented with classical analyses of games and applications in educational contexts. In uniting theory and hands-on approaches, the book provides a broad spectrum that facilitates and inspires interdisciplinary thinking and work.